Archive for the ‘spring blossoms’ Category

Flattening the Curve – the poetry pandemic continues

April 6, 2020

One of the ways I’ve been keeping connected with friends while staying apart is through sharing haiku (and getting together through video chats). Here are a few pandemic-inspired haiku from poets in Canada, Croatia, the USA and UK.

Covid-19-haiga_Djurdja Vukelic-Rozic

– Djurdja Vukelić-Rožić

empty streets
feeling the warmth
of spring sun

– Carole MacRury

lining her new home
with stolen tissue
momma squirrel

– Grant D. Savage

corona virus –
the magpies build nests
just the same

– Juliet Wilson

social distancing
kites spread out
across the sky

– Jacquie Pearce

the tiny buds
I wouldn’t have noticed
shelter in place

– Deborah P Kolodji

masked up
my glasses fog
defog

– Alan S. Bridges

girls’ night out
clinking wine glasses
through a computer screen

– Jacquie Pearce

waiting
for the curve to flatten . . .
cherry blossoms

 – Terry Ann Carter

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More pandemic poetry here:

Borders: Real and Imagined (guest post by haiku poet Carole MacRury)

Poetry Pandemic (haiku)

An Abundance of Caution (a longer poem by haiku poet Michael Dylan Welch)

Ways to enjoy the cherry blossoms while social distancing:

Virtual community events through the Vancouver Cherry Blossom Festival (including international haiku contest)

Vancouver Cherry Blossom Festival blog

Virtual cherry blossom walk around the Historic Joy Kogawa House neighbourhood (Marpole, Vancouver), with haiku by Sally Ito

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Poetry Pandemic

March 13, 2020

First off, my heart goes out to everyone adversely affected by the Covid-19 pandemic.

How are you coping with social distancing or self-isolation? Has it prompted any poetry (haiku or otherwise)? As a writer who spends a lot of time working alone at home, the health scare hasn’t changed my routine a lot. But I will go stir crazy if I don’t get out of the house for walks and occasionally get-together with family and friends. I’m not sick, so I can go out, but it’s hard to maintain distancing on public transit, which means I’m either staying home, or trying to avoid peak times for crowds (plus, of course, doing a lot of hand-washing).

crowded Skytrain
a new awareness
of shared air

[Update March 18, 2020: now staying at home and not using public transit]

I’m also going for more lone walks closer to home, enjoying the spring blossoms and bird songs, and I just experienced my first video-chat meeting today (via Zoom), which was actually kind of fun. With the cancelling of upcoming conferences and travel plans, I’m travelling vicariously through getting back to working on the train haiku anthology (after temporary derailment by other work commitments). I’ll be posting an update later in the spring and should have a book cover image to share soon!

If you have any pandemic poetry, or creative ideas for weathering the Corvid-19 precaution period (while staying safe and keeping others safe), please share.

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My year of Joy Kogawa House and Haiku

November 26, 2017

For me, 2017 has been a year connected to Joy Kogawa House.

Historic Joy Kogawa House is the childhood home of Canadian author Joy Kogawa, who wrote the ground-breaking novel Obasan, a fictional story based on Joy’s memories of being interned as a child during WW II, along with thousands of other Canadians of Japanese descent. Located in the Marpole neighbourhood of Vancouver, the house was built in 1912-13. Joy and her family lived there from 1937 until they were interned in 1942. During the war, the house was confiscated and sold, and Joy’s family was not able to return to Marpole. Years later, however, Joy lent her support to a community campaign that saved the house from demolition. Today, the house is a space for author residencies, literary events, as well as remembering the injustices experienced by Japanese Canadians during the Second World War, and moving toward healing and reconciliation.

Joy Kogawa House c 1938

Joy and her brother at the front (west side) of the house c. 1938

 

I was grateful to be offered a writing residency at the house, which was initially planned for February. Since February is National Haiku Writing Month (the shortest month of the year for the shortest form of poetry), and haiku is one of my passions, I decided to focus on haiku, and to partner with the Vancouver Cherry Blossom Festival (VCBF), preparing for the spring blossom celebration and the festival’s international haiku contest. Plans shifted slightly, and rather than staying at the house in February, I organized a poetry reading and haiku workshop, and worked with the VCBF on koinobori scale-painting activities in preparation for Sakura Days Japan Fair without staying at Joy Kogawa House (which I was able to do since I live in the Vancouver area). (More on these activities in an earlier blog post.)

Joy Kogawa House events

February poetry reading, plus haiku workshop & koi scale painting

In May, I visited the house for a reading and performance of “A Suitcase full of Memories” by Joy Kogawa and Soramaru Takayama of Japanese Poets North of 49, and was delighted to meet and briefly chat with Joy afterwards.

In July, I was able to live at the house and work on my own writing projects, finishing a verse novel for children, and co-editing an anthology of haiku poetry written by members of the Vancouver Haiku Group. I started the month by hosting a book-making workshop given by poet and book artist Terry Ann Carter from Victoria, which brought together many creative people, and was an inspiring kick-off to my in-house residency. Staying at the house by myself gave me time and space to focus on writing without my usual distractions, making a big difference to my writing pattern and productivity. I also enjoyed the opportunity to explore and get to know the Marpole neighbourhood, including its tree-lined streets, housing mix, history, and changing local culture, and to relax in the peaceful stillness of the backyard where a young Joy Kogawa once played.

four images

I returned to the house to live and work at the end of August, and also hosted a presentation by my friend and colleague Jean-Pierre Antonio, a professor at Suzuka University in Japan, who gave us a fascinating account of the life of Japanese immigrant Masayuki Yano through the translation of Mr. Yano’s pre-WW II diaries.

Jean-Pierre's talk

At the end of September, my haiku activities at the house concluded with the hosting of An Evening of Japanese Poetic Forms: from the Tokaido Road to the World Stage, with Terry Ann Carter reading from her new book of haibun (prose with haiku), Tokaido (Red Moon Press), Rachel Enomoto sharing haiku, and Kozue Uzawa reading tanka and leading participants in a short tanka-writing workshop.

Japanese forms reading

An Evening of Japanese Forms, a Word Vancouver event (with thanks to Tracey Wan for the bottom right photo)

In early November, Joy Kogawa returned to the house to read from her children’s picture book, Naomi’s Tree, which was a treat for all of us who came out to listen and celebrate the old cherry tree in the laneway behind Joy Kogawa House. The tree now has a plaque, encouraging people to seek it out on their neighbourhood walks.

So now, I seem to have come full circle, enjoying the house in each season, and again, looking ahead to early spring when the cherry blossoms will bloom again.

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My workspace while in residence at Joy Kogawa House (looking out at the old cherry tree behind the back fence)

 

To close, here are a few simple haiku written during my stay:

 

no need

for an alarm clock

early morning crows

 

picking the last

ripe raspberry

evening robin

 

And from my evening walk past the elementary school young Joy Kogawa attended:

 

fading daylight

the empty swing

still swinging

 

 

Breaking the ice (haiku reading and upcoming workshops)

February 5, 2017

For the month of February (which is National Haiku Writing Month), I’m partnering with Vancouver’s Joy Kogawa House to celebrate haiku with events leading up to the Vancouver Cherry Blossom Festival. Last night, I was joined by other members of the Vancouver Haiku Group, as well as visiting poet Carole Glasser Langille, to kick off the month with a reading of prose, haiku and other poetry.

vhg-reading-feb-4-2017

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The weather was more wintery than I expected when I picked the theme (there were more hints of spring in Vancouver by this time last year), but despite the snow, the house was full, and by the end of the evening we’d fully moved into the spirit of spring.

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Cherry preserves in anticipation of the blossoms to come . . .

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In partnership with the Vancouver Cherry Blossom Festival (VCBF), renowned haiku poet Michael Dylan Welch (from Sammamish, Washington) will be teaching a “How to Haiku” workshop at the Terry Salman branch of the Vancouver public library February 18. More info on the VCBF site.

I’ll be teaching a “Haiku Secrets: beyond the basics of writing haiku” workshop at Joy Kogawa House on Feb 25 (move away from 5-7-5 and learn how these tiny poems can express powerful experiences in both nature and urban life). More info on the events page of Joy Kogawa House. To register contact info@kogawahouse.com.

Both workshops are followed by an opportunity to decorate a giant koi “scale” with haiku for a koinobori installation at Sakura Days Japan Fair, which will be held at VanDusen Garden April 8-9 (2017). We’ll also be encouraging participants to submit haiku to the Vancouver Cherry Blossom Festival international haiku contest.

for-haiku-workshop_jp

koi-installation

(Above photo courtesy of the VCBF and Powell St. Festival)

 

Fall is cherry blossom time?

December 1, 2015

 

While spring is the traditional time for celebrating cherry blossoms, fall is when we hear the results of the annual Vancouver Cherry Blossom Festival Haiku Invitational contest. This year, I was excited to learn that one of my haiku (inspired by the Vancouver Canucks hockey team making the Stanley Cup playoffs) was selected as the top winner in the “Vancouver” category. And, seeming in honour of the occasion, these rather confused cherry blossoms were blooming in November when I visited Vancouver’s Dr. Sun Yat-Sen Garden.

confused cherry blossom3

Vancouver Cherry Blossom Festival Haiku Invitational Top Winners, 2015

Vancouver

Stanley Cup playoffs
the last cherry blossoms
still hanging on
                      Jacqueline Pearce
                      Vancouver, British Columbia

British Columbia

cherry blossoms
come and go
my seventy years
                      Dan Curtis
                      Victoria, British Columbia

Canada

Alzheimer’s ward
cherry blossoms
in the fog
                      Marco Fraticelli
                      Pointe-Claire, Quebec

United States

cherry blossoms
no room in the selfie
for me
                      Joe McKeon
                      Strongsville, Ohio

International

cherry blossoms
falling
in love again
                      Brendon Kent
                      Southampton, England

Youth

cherry blossoms—
grandma tells me about
her first date
                      Cucu Georgiana, age 12
                      Botosani, Romania

Click here for commentary on winning poems

Fall is also a time when local cherry trees are filled with beauty of a different colour.

fall cherry trees

Things are looking up

February 1, 2013

It’s been a grey rainy week here in Vancouver, but downtown today, I had an unexpected glimpse of cherry blossoms and sunshine ─appropriate for the start of National Haiku Writing Month (February, the shortest month for the shortest poetic form).

blossoms-downtown3
early blossoms─
a new spring
in my step

Click here for more info on National Haiku Writing Month (NaHaiWriMo).

Celebrating Cherry Blossoms -Vancouver style

April 9, 2012

This year’s Vancouver Cherry Blossom Festival got off to a perfect start Thursday, April 5, with sunshine and cherry blossoms both cooperating. The Akebono cherry trees alongside Burrard Skytrain station (site of the festival kick-off) were in full bloom!

The event included Taiko drumming and other performances of Japanese music, as well as energetic Bollywood-influenced dancing that got the crowd joining in (led by Shiamak dancers, who are choreographing a flashmob umbrella dance to happen April 14).

The blossoms, people, and multicultural celebration inspired this haiku:

downtown Vancouver
oasis of blossoms
welcomes everyone

(Note: the festival also hosts an annual international haiku contest)

The celebration of blossoms continued at Vancouver’s VanDusen Botanical Garden over the weekend with Sakura Days Japan Fair.

Signs of spring?

March 2, 2012

I spotted the first cherry blossoms (and bees) in my neighbourhood on February 7, and soon after came the snowdrops and crocuses. It seemed that we had seen the last of winter and that there was plenty to inspire some spring haiku. What better timing than February being National Haiku Writing Month (NaHaiWriMo)?

I had been looking forward to NaHaiWriMo (writing a few short lines a day seemed much more do-able than the word output required for National Novel Writing Month!), but was struggling a bit with throwing out the 5-7-5 syllable structure (see this NaHaiWriMo post for background on why 5-7-5 is no longer considered correct for haiku in English), and just wasn’t finding myself paused in any haiku moments. That is, until the very last day of February, and the return of snow.

Was winter finished, or not? Were blossoms covered by snow a negative or a positive image? The seasonal ambiguity and my current mood of life evaluation (partly prompted by turning a certain age I won’t mention) inspired me to play with a glass half full/half empty theme. The result is maybe not worth sharing, but here it is (with all thought of syllable count tossed aside):

blossoms

under late snow

buried hope

or

blossoms

under snow blanket

wake

Spring arrives in Vancouver’s Chinatown

April 11, 2011

I have been spending a lot of time on the computer lately, preparing for the launch of my new book (more info in a future post). But I was lured away by the spring sunshine Friday afternoon and decided to visit Dr. Sun Yat-Sen Garden in Vancouver’s Chinatown.

As I neared Chinatown (walking from Stadium Skytrain station) I was met by these two Canada Geese who also seemed out for a spring walk (it’s the time of year when paired geese and their nests turn up in some strange locations around town).

Vancouver’s Chinatown is the second largest in North America (after San Francisco’s). It’s been in existence since the late 1800s, surging in growth after the Canadian railroad was completed in 1885 and many out-of-work Chinese railway workers found employment in Vancouver.

I love the colors and historic buildings in this part of the city and couldn’t resist posting some photos.


(Gate to Chinatown, looking east on Pender St. near Carrall St.)


(Shops along Pender St. –near entrance to Dr. Sun Yat-Sen Garden)


(Tiny pink building is “Kitty’s Beauty Studio”)


(I’m not sure what purpose the niches in this old brick wall served originally, but they seem to have no current one other than to act as cozy pigoen perches)


(Like the two geese, and perhaps the pigeon pair, these crows seem to be a couple with nesting on their mind)


(Chinatown banners)

Ooops, I hadn’t mean to post so many photos of Chinatown, but actually meant to focus on Dr. Sun Yat-Sen Garden. So, if you’re still with me, garden photos are next.

The Dr. Sun Yat-Sen Chinese Garden is modeled after private classical gardens of the Ming Dynasty (1368-1644). It is the first full-scale classical Chinese garden constructed outside of China, and was built through the cooperation of Canada, China, and the Chinese and non-Chinese communities in Vancouver. It is named in memory of Dr. Sun Yat-Sen, the “Father” of modern China, who played a role in leading the overthrow of the Qing Dynasty in 1911 and was the first president of the Republic of China.

(You can glimpse the moon-shaped gate to the public park section of the garden beyond the stone lion)

When I stepped into the garden, I left behind the hussle and bustle of the surrounding city (and the shouts from a nearby soccer game), and entered a tranquil oasis.

The design and materials of the garden reflect the Daoist philosophy of yin and yang. Light is balanced by dark, rugged and hard are balanced by soft and flowing, small is blanced by large. It also has the four main elements of a classical Chinese garden: buildings, rocks, plants, water.


Even the pebbled courtyard ground has symbolism. The stones are rough to balance the smooth of the water, and the pattern of one section represents “masculine,” while the pattern of the opposite section represents “feminine.”


Bamboo represents quiet resilience, bending but never breaking.


Turtles symbolize long-life, while the koi fish represent strength and perseverance (due to their ability to swim a long way against the current).


The drip tiles at the edge of the roof represent bats, which are symbols of good luck (the Chinese word for “bat”, bianfu, sounds like the Chinese word for “Good luck”). Bat images can be found throughout the garden.


The water is intentionally cloudy to intensify the reflections (Magnolia tree reflected in above photo).


The garden is open all year, with something different to see with each season. There is a fee to enter the inner courtyard and associated buildings, but the public park section (seen in the above photo) is free. More info is available on the Dr. Sun Yat-Sen Garden website.

It Takes a Community to Bomb a Cherry Tree

March 7, 2011

Yesterday afternoon, I helped a cherry tree blossom early. Knitters, crocheters, authors, book-lovers, and other supporters of Joy Kogawa House gathered to festoon the bare backyard cherry tree with hundreds of hand-knitted and crocheted blossoms. The Sunday afternoon event and several knit-ins leading up to it (including one held at Vancouver City Hall) was organized to help draw attention to the heritage site and the Joy Kogawa House writer-in-residence program.

The house was the childhood home of Canadian author Joy Kogawa –until WW II, when the house was expropriated and the family  forced to move, along with other Japanese-Canadians, to an internment camp in the BC interior. Thanks to the rallying of community members and a national fund-raising campaign (2003-2006), the house is now owned by The Land Conservancy of BC, a non-profit land trust, and a writer-in-residence program is operated on the site, helping to connect authors with the local community and encourage an appreciation for Canadian writing (see the Joy Kogawa House website for more info).

Joy Kogawa mentions the house in her novels, “Obasan” and “Naomi’s Road“, while the cherry tree itself is the focus of Kogawa’s picture book, “Naomi’s Tree.”

As an appreciator of cherry blossoms, books, and yarn-bombing, I couldn’t resist participating in the blossom event and sharing some photos:

Blossoms were created at local knit-ins lead by knit graffiti artists Leanne Prain and Mandy Moore, and were also mailed in from other locations.

. . .

Participants at Sunday’s event crocheted chains, knitted “bark,” and attached the knitted and crocheted blossoms to the chains while authors read from their works.

. . .

Outside, others sewed “bark” around the tree’s trunk and tied blossom chains to the tree.

. . .

Vancouver Firefighters attached blossoms to the highest branches.

. . .

Overhead, an eagle soared.

. . .

All in all, a beautiful day and a beautiful event.

. . .

More photos of the event will be posted at Yarnbombing.com.

Blossoms will stay in place on the tree throughout the month of March, so if you’re in Vancouver, stop by 1450 West 64th Ave to have a look.

. . .

(Hidden among the blossoms in the final photo are three that I knit, and there is also a glimpse of the “bark” I knitted for a very skinny branch in behind.)